
Karen Brooks Hopkins
Karen Brooks Hopkins is president of BAM, where she has worked
since 1979. She is an active member of the Performing Arts Centers
Consortium, a national association of performing arts centers,
and served as its chair from 1994 to 1996.
In the spring of 1995,
Hopkins was the executive producer of the Bergman Festival,
which celebrated the life and work of Swedish director Ingmar
Bergman. The success of the Bergman Festival earned her a medal
from the Royal Dramatic Theater of Sweden—the first time
the honor was awarded to anyone outside of Sweden. Additionally,
in recognition of her work on behalf of the Norwegian National
Ballet, Norway awarded her its King Olav Medal.
Hopkins served as
an adjunct professor for the Brooklyn College Program for Arts
Administration for four years. Her widely read book, Successful
Fundraising for Arts & Cultural Organizations, currently
is available in a revised second edition through Greenwood Publishing.
Hopkins is a member of the Advisory Committee of the Salzburg
Seminar-Alberto Vilar Project of Critical Issues for the Classical
Performing Arts.
Hopkins currently
is the Chair of The Cultural Institutions Group (CIG), which
consists of 33 prominent New York City cultural institutions.
In this capacity, she also serves as a member of the Mayor’s
Cultural Affairs Advisory Commission. Hopkins also is a fellow
of The Cap Gemini Ernst & Young Center for Business Innovation.
A graduate of the University of Maryland, she received her MFA
from George Washington University in Washington, DC. Hopkins
resides in Park Slope, Brooklyn with her son Matthew.
Joseph V. Melillo –
Joseph V. Melillo, BAM's executive producer since 1999, is responsible
for the institutional artistic direction of BAM. In the four
years that he has held this role, BAM has enjoyed increases
in both programming and audience attendance in its Harvey Lichtenstein
Theater, Howard Gilman Opera House, Rose Cinemas, and BAMcafé.
In addition to continued critical acclaim, in 2003 BAM was awarded
a special OBIE Award in recognition of a body of work in international
programming and a special Drama Desk Award for bringing works
of distinction from around the world to New York audiences.
Over the years, Melillo has fostered the work of emerging artists
such as choreographer John Jasperse, director Anne Bogart, and
musician/composers David Lang, Michael Gordon and Julia Wolfe
while continuing to provide an artistic home for BAM regulars
such as choreographer Pina Bausch, directors Peter Brook and
Sam Mendes, and composer John Adams.
Prior to his current
role, Melillo served as BAM’s producing director, following
a six-year tenure as founding director of the Next Wave Festival.
During the first festival, Melillo produced the premiere productions
of The Photographer/Far From The Truth and The
Gospel at Colonus. He worked closely with Philip Glass
and Robert Wilson on the first revival of Einstein on the
Beach in 1984, a production Melillo considers a professional
benchmark. In addition to these productions, Melillo’s
hand can be seen in broad-ranging Next Wave productions such
as The Mahabharata and Nixon in China.
As part of the 2001
Next Wave Festival, Melillo produced a multi-disciplinary celebration
of Australian art and culture entitled Next Wave Down Under,
which included music, theater, dance, film, and visual arts.
In the fall of 2002, he produced BAM’s critically acclaimed
20th Next Wave Festival, which featured returning artist like
Sankai Juku, Meredith Monk, and Steve Reich as well as works
by festival newcomers such as Osvaldo Golijov, Sasha Waltz,
and Tan Dun. As BAM’s Spring Seasons have grown
in recent years, Melillo has developed innovative and artistically
wide-ranging projects such as the complete Monteverdi opera
cycle and developed artistic partnerships with companies such
as the Donmar Warehouse and the Mark Morris Dance Group.
In addition to his
work at BAM, Melillo has had extensive experience in artistic
programming, producing, and general management. In 1990, Melillo
served as one of the artistic directors of the second New York
International Festival for the Arts. He was general manager
of the 1982 New World Festival of the Arts in Miami; theater
program director of Foundation for the Extension and Development
of the American Professional Theater (FEDAPT); marketing director
for the Walnut Street Theater in Philadelphia; thematic specialist
in contemporary American Theater for the Institute of International
Education, Department of State, USIA; and producing director
of the Chelsea Theater Center of New York. In June of 1999,
he was named a Chevalier of the French Legion of Honor.
Melillo currently serves on the faculty
of the Brooklyn College Graduate Program in Arts Management.
He has served on the boards of directors for the Association
of Performing Arts Presenters and En Garde Arts and has served
as a panelist for the National Endowment of the Arts Dance Program
and the New York State Council on the Arts. Most recently, he
served as Panel Chair of the Pew Fellowships in the Arts 2003
Awards. Melillo earned a Bachelor of Arts degree in English
and Theater at Sacred Heart University in Bridgeport, Connecticut
and a Masters of Fine Arts in Speech and Drama at Catholic University
of American in Washington, DC.